Verbal exchanges, unpleasant situations, and some serious life events took place while it was on the back burner. Each of these things forever altered my perspective and my life, and in keeping with that difference, I switched to acrylic paint when I finally returned to this piece in November of the same year. For that last phase of work, I started by covering the entire piece in an extremely thin layer of white acrylic paint. Then, using a silicone blade while still wet, I smeared the white paint, revealing some of the underlying layers of watercolor. I was happy with the result and the effect of the multiple layers; however, the piece was still not complete.
If the events that had taken place taught me anything, it's that when my intuition gets dragged into a situation, then there is almost always more going on underneath the surface. What better way to mask everything than to cover it with solid black. I cut out strips of artists' tape and placed them directly onto the paper. Then I proceeded to slather everything with generous amounts of black paint. I smoothed it out with a silicone blade and let everything dry. When the time felt right, I gently lifted the edges of the artists' tape and began to peel off the strips. What I discovered is that when you begin peeling back the layers of subterfuge, you get:
"Glimpses of the Truth" |
Featured in this post: Glimpses of the Truth
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